Considered interiors · Sunshine Coast
Take a look —
at Moy.
Kitchen-led interiors with a sustainability lens — for owners, builders and the people who actually live in the room after the photographer’s gone home.
Yes, the joke was deliberate. The work is too.
Anyone can draw a beautiful room. The work is in building it.
I’m Jennifer Moy — interior designer based on the Sunshine Coast, with a Diploma of Interior Design and further study in Property & Sustainable Development. I came up the on-the-tools way: years estimating, drafting, and learning the trade alongside stonemasons, builders and cabinet makers. The long way of saying — I design rooms that get built, on budget, and stand up to real life.
Kitchens are the love. Sustainability is the lens. The brief is yours.
- Based
- Sunshine Coast, QLD
- Specialty
- Kitchen design
- Lens
- Sustainability
- Member
- IDA · Green Star
Selected work — and a few we can’t show yet.
Photography by the trades, mostly. Proper shoots come once the dust settles.
Good rooms aren’t decorated, they’re considered. The drawer that closes well, the bench that’s the right height, the light at five in the afternoon — those are the bits you feel before you see.
— Jennifer Moy
From first call to final defect walk
The four phases — and where I’m hands-on.
Coffee & chat
Free 30-minute call. We talk site, brief, budget, vibe. You leave with a clearer head; I leave with a notebook full of questions.
Concept
Floor plans, mood, materials, joinery elevations. Two directions — never one — so we can sharpen the brief together.
Documentation
Drafting-grade drawings, full schedules, finishes specs. Built to be priced by trades without ambiguity.
On the tools
Site visits, builder Q&A, sample sign-offs, defect walks. The bit a lot of designers leave to chance — I don’t.
Every job bends one of these. None ignore them.
From the studio bench
On the bench, this season.
On the desk
Architectural Digest’s “Most Beautiful Kitchens” — for the joinery proportions, mostly.
In the sample drawer
Reeded glass, hand-thrown door pulls, and a particularly excellent Egger melamine in Baroque Oak.
On the brain
How to design kitchens that age into themselves — patina is a feature, not a flaw.
The little black book
Inside the Good Room.
A handful of suppliers, makers and brands I keep coming back to. Tested on real projects, costed on real budgets, recommended without a kickback.
A project, in mind?
Tell me about it. Properly.
A new kitchen, a tired bathroom, a whole-of-house refresh — or just a second pair of eyes on a tricky brief. The first call is free, and pressure-free.
